Well, it’s another semester and I am back in my diploma of photo imaging! This semester I am taking Colour Management & Workflow and Media & Documentary. These classes both look really interesting, so i’m looking forward to digging into them.
This week in Colour Management & Workflow, we looked at some of the basics of the subject - introducing colour spaces, profiles, bit depth and a whole host of other technical considerations for a photographer.
This is an area of photography I’ll guiltily admit to not being as on top of as other areas, so I think I will learn a lot in this class!
Step one this week in our learning activities was to do some research on colour management tools for photographers. I’ve done up a little “wish list” below of cool tools to calibrate your tech!
Colour Checker Passport - https://xritephoto.com/colorchecker-passport-photo (quick, cheap and easy profiling)
i1 Display Pro - https://xritephoto.com/i1display-pro (professional display profiling)
i1 Photographer kit - https://xritephoto.com/i1-photographer-kit (combines the two above)
Spyder5 Capture Pro - https://www.datacolor.com/photography-design/product-overview/spyder5capture-pro/ (kit for photographers, includes calibration tools for camera and display)
SpyderPrint - https://www.datacolor.com/photography-design/product-overview/spyderprint/ (printer calibration)
We also had a look at the Mac ColorSync utility (which, I’ll be honest, I don’t think I have ever opened on my mac - at least not on purpose!!). We had a look at how each of the different profiles compared to each other. The one that surprised me the most was Adobe RGB compared to CMYK - I’m used to uploading images for print at Officeworks, etc and being asked to switch from Adobe RGB to CMYK - I assumed that meant it was a better profile. It is good to unpack these assumptions I had previously made and understand the process better!